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May predicted that Alfonso Cuar贸n’s space thriller Gravity with Sandra Bullock (out on 18 October, ) will be the next milestone in the increasing sophistication of the process, and in fact Gravity has since been announced as the Opening Film of the Venice Film Festival in August (a further indication that 3D is starting to be embraced beyond the multiplex). May remarked with a specialist’s eye that, comparatively, “Avatar’s quite a shallow film”, meaning that the 3D effects were kept modest in case the audience couldn’t take so many hours of them. Also, errors can make audiences ill. May pointed out that the hero’s ears were out of alignment – weirdly far forward – on a certain recent blockbuster; that some shot/reverse-shot scenes in current 3D films have different depths, creating a skewed, disorientating conical space. 3D, that is, can mirror or enhance emotional tone or significance: according to context, a billiard ball can be made to look like a pancake, a sausage, or... a billiard ball.
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